Somehow we got through the funeral,
and the fact that it was now just the two of us. He cried like I didn't think he could. We sat in the living room, which now
looked like an abandoned building, and tried to decide how to live without the
woman we loved.
Until I went away to college, my
father raised me, and raised me well.
I was fortunate. He was a
fun guy to live with - he became, at times, amazingly unpredictable, and was
extremely good at it. Mr. Quiet,
Mr. Simple, became Mr. What-the-Fuck(?).
For two weeks, we lived in the
disaster area he'd deconstructed.
The wallpaper covered the floor like curled up, dead wallpaper. He didn't pick it up, and I didn't want
to interfere in whatever process he was going through. Then, in the middle of the evening news
one Friday night, he popped up, disappeared into the basement, and returned
with a brush and a can of paint.
He would never paint with a roller - claimed it was impersonal. It was
his house, and painting with a brush was a good way to get to know every inch
of it. He started to paint the
walls white, and after a few hours he told me to go to bed; he'd be up in a
minute. He lied. He stayed up all night to finish. When I got up the next morning, it was
a dark, cold January AM, and I limped down the stairs, as I did every morning,
with one eye open, trying to postpone waking up until the last possible
second. There was someone in the
living room! A man was standing by
the door. My heart stopped. Then, I realized it was only the figure
of a man. Most of the wallpaper
had been cleaned up, but he had taken some pieces and glued them back on the
wall to create the profile of a man, standing by the door. You could see his hand on his cane, and
his hat. The shadowy shape looked old.
Dad came down the steps behind me, and broke down, seeing what he had
done the night before.
I don't know why, but I didn't
ask! Paper on the wall -
fine. He was going through
something very personal and when he could talk, hopefully he would. Still, it was a very scary time; it was
hard to watch unlabeled changes and try to be patient. Is it best to be patient, or am I just
letting my only parent slip farther into some dark crack in the wall?
A man stood by our front door. Two weeks to the day, again during the
news, he calmly got up, scraped the silouette off the wall and finished
painting. We almost had a normal
living room, stark white, but closer to normal than we had been for awhile, and
we were almost beginning to understand that, after losing Mom, we were going to
survive, together.
Then, another creative moment
hit. I'd have appreciated some
warning, but they never came. I'd
spent a Friday night at a friend's house, managing to play video games all
night. I came home to find my
mother. A chair was gone from the
living room and in it's place, painted on the wall, was Mom in that chair,
reading a newspaper. He could
paint! It had great detail, down
to the date on the newspaper - the day after she died. Since when did he become a
painter? I looked at it, looked at
him. "I was lonely," he
shrugged.
Two weeks later, I'm hoping that he
decided his creation just wasn't healthy, but for whatever reason the wall-mom
was painted over and the room returned to it's new version of
"normal" - stark white.
In my school we had to do quite a
bit of memorization work in English class, because the head of the English
Department was old, and that's what he did in the 1700's. We had to learn poems and some Shakespeare
- an interesting but exhausting selection. Dad had never heard Stopping
by Woods on a Snowy Evening by Robert Frost, but coached me as I went
through it, over and over again, trying to burn it into my head. How do people
memorize such things? He always
tried to invent ways to help me.
Once again, the time came when he walked away mid-conversation, ran down
the basement steps, and returned with a big marker - a brown marker made to
touch up scratches in wood furniture or floors. He handed it to me, pointed to the wall, and said,
"Write. Write big." Then he started to read to me. "Whose woods these are I think I
know". I stood on the back of our sofa and wrote across the front
wall. "His house is in the
village though" almost took me the length of the side wall (now dragging a
chair with me to stand on). Soon
I'd circled the room once, like trim along the top of the walls, so I dropped
down to a second ring of words, then a third, then forth. We were suddenly living in Frost. If I forgot a word or phrase, I'd have
to look around for it. His
coaching was done, although he stayed with me as I continued to work. Eventually, I knew where everything was
and could essentially read it off the walls I could picture in my mind. It was an interesting/crazy/innovative
way to learn, but nothing was too much or too crazy if it meant helping me with
my school work. It was a job he
took seriously. We learned the poem
together. It was the first poem
he'd ever memorized. Through
junior and senior high, our living room wall was repainted, always white,
dozens of times. We created an art form in writing and
painting on the walls. We worked
to make it beautiful, or at least to look cool. We worked to make whatever we wrote fill the walls. We counted letters and words and
decided on what letter size would take us from floor to ceiling. This was more fun than playing kick
ball in the house!
I came home one day with a painting
I'd done in art. The teacher had
brought in a big roll of brown paper and I pulled off a long piece to do my
assignment. I copied a drawing of
Batman and painted a full-size caped crusader. Dad encouraged me to paint it again, in the living room,
which I did, right over some accumulating vocabulary words, which had been the
decorations du jour. Batman in our
living room! So sweet!
As years passed, homework got
harder, for both of us, but he'd take the time to learn what I needed to learn
- things that he never had known.
He found that he really liked trig. Another late night paint job. I offered to help but it seemed to be something he had to
do. The next morning, we had four
walls that were a matt black - every boy's dream. On them were painted definitions of the trig functions, in
flat white, like chalk on a board - we used them for almost the entire year,
adding the quadratic equation, binomial expansions, permutation and combination
equations and infinite series. It
was our reference book when doing homework. We decided that we needed a name for what we were doing, after
finally acknowledging that we were "doing", and settled on
"working within the vocabulary of space". We were very pleased with ourselves.
Need I explain how neighbors and
family responded to the walls?
They thought we were not doing well, like two college kids, but the
walls were my father's creative outlet, his gift to me, and something that just
somehow just had to be, so he could be a family for me.
When I went away to college, I came
home to color! He had painted the
walls of the living room a nice rose.
It was good; he was going to be OK. It seemed like now he could finally relax a bit, and I tried
to allow him to do so.
As college took over my life, I
never forgot my father, but with new friends, girls, homework, professors, -
you know, it consumes you. I
missed him, but more importantly I missed the fact that he was losing weight,
and going to doctors, and dealing with things on his own. We talked once a
week. I called him one night to
tell him I'd done well in a Calculus exam, but he didn't answer his phone. All night he didn't answer his phone,
so I decided I had to go home. It
was a 3-hour ride, but I had no choice.
When I finally got there, I pulled up behind his car, where he was
sitting behind the wheel. They
said he had probably been dead for several hours. You should have to be older to lose both parents, especially
ones as good as mine. I wasn't
ready for this at all. I didn't
return to school that semester until finals week, to pick up my belongings I
had left in the dorm, and to tell Records and Registration that I was aware I'd
be receiving a set of Incompletes in all of my courses. I'd called 911 when I found him, and by
the time the ambulance crew had taken his stiff, skinny body out of the car, I
had begun to learn about what could have happened. The medic saw the drugstore bag on the car seat and the
pills inside told the story.
Almost exactly like my mother, his illness came quickly, but he chose to
deal with it in silence. As the
ambulance pulled away, the officer encouraged me to get help from an adult,
because I was going to have bills to take care of, a funeral to attend to - I
wasn't listening but his list was long and overwhelming.
Three hours had passed from the
time I pulled up to the time the ambulance and police left, and the need to pee
was looming large, so I had to go into the house. As I finally walked toward
the front door, I pulled out my key, realizing it was now the key to my house - the house where his clothes
were, his papers, my mother all over again - ugh. The living room was beautiful. Over the rose walls he painted, in white, a letter to me,
telling me about life, and how to live responsibly - rules for a good
life. He had become a poet as
well. It was beautiful. I lived in this house, as I became an
adult, for many years. I never
finished college, but that no longer was important. Living in this house was my priority - my obligation to
family. His thoughts were always
right there with me, for me.
On the mantle was a letter. He didn't want these words to be on the
wall. The instructions requested
that I read the letter then burn it in the fireplace. He explained how his early life was occasionally a hard one,
because his parents were separated and he often was sent to his grandfather's
to stay. Grandpapa was an unhappy
man, except when he was beating my father. Out of the envelope fell a single photo, an old photo, of a
man with a cane, wearing a hat, standing by a living room wall. The sunlight was shining in from a
nearby window, casting a shadow on the wall. I recognized his shadow. It had stood in our living room for two weeks. It didn't take long for me to
appreciate the rest of the photo.
While black and white, I could tell - grandfather's house - his living
room - it was that same wallpaper.
My mother couldn't have known.
He couldn't talk about it; so couldn't ask that it not be in his house. He tried to keep my mother happy, but
it had been gnawing at his heart.
It was clear that, in
"celebrating his life" at his death, I had a mission to complete - to
put in it's proper place something the two of us shared - the vocabulary of
space. I wanted the funeral to be
special, but I let the funeral directors, our pastor, and my lifesaver Uncle
Dave take care of that. I took the
time to write a short letter to my father, saying goodbye, thanking him for
being a good person and parent, and for giving me a simple, invigorating life
that others couldn't have imagined.
The funeral passed, the trip to the cemetery passed, I was drowned by
hugging arms from neighbors, cousins, aunts and uncles, who all didn't want to
see me handle everything alone.
"I'll be fine, folks, I can do this," I chanted. After the short ceremony at the
gravesite was over, the crowd dispersed.
The worker bees at the cemetery waited patiently in the background for
us to leave, ready to lower the sweet maroon casket into the ground and get the
dirt back into the hole. A few
twenties, and a photo to confirm my story, and they agreed to disappear for an
hour - more than enough time for me to get my stuff from out of my Jeep, so I
could paint my goodbye letter onto his casket. I did it in the chalky flat white paint I'd brought from the
basement - his paint. When I was
done, it looked quite a bit like our living room; my living room. I think it was a good letter. He'll like it. It will surely make him smile.
© 2012 John Allison
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